These are often surrounded by ornate frames rather than the traditional ruled panel border. His pages are mixed media, splattered with splodges of background colour, while smaller head shots are randomly pasted around to supply the dialogue. It’s drawn by David Mack, and although very different, both he and the other primary artist Alex Maleev could be described as acquired tastes. That’s an investigation by journalist Ben Urich into why villain Leap-Frog has disappeared. Where he was less at home was getting his head round the idea that while Daredevil dealt with crime, he was also a superhero, and he’s entirely absent from three-quarters of Bendis’ first story. He’d mastered the quirky anecdotal dialogue patterns that so enlivened the films of Quentin Tarantino, and these two strengths filtered into Daredevil from the start. When Brian Michael Bendis began writing Daredevil his previous comics CV was relatively limited, and exclusively concerned with crime material.
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